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Our Editorial Practices
During open submission periods, we strive to acknowledge each submission within 2 business days and to respond within 4 business weeks.
Unlike almost every other imprint, we respond to every submission—that abides by our submission guidelines—with specific feedback. We also ensure that each editor works on only one submission at a time.
Editors begin by reading a meaningful portion of your submission closely. Then, one of two things happens:
- If the editors decide that your manuscript needs a significant amount of work, they respond with a brief, detailed summary and explain what you can do to improve your manuscript.
- If the editors consider your submission ready (or partially ready) for publication, they begin to review it.
- Anthology submissions: Your editor contacts you by email to discuss any necessary revisions
- Feature collection manuscripts: Your editor schedules a free, 1-hour consultation to discuss your manuscript
Jump to the submission guidelines
Frequently Asked Questions
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What writing matters most to you?
🖋️ We celebrate all forms of poetry. However, we publish only works that make use of non-aleatory, representational textuality and poetic musicality. We consider only manuscripts that maintain a firm commitment to poetic technique. (Confused? Our submission guidelines explain exactly what we look for.) -
Who is eligible to submit?
- 🌎 We’re based in Canada but we accept submissions from all over the world. (Certain terms and conditions are different for authors outside of Canada.)
- 🏳️🌈 We respect all authors. However, in line with our commitment to intersectional uplifting of queer, transgender, women’s, neurodivergent, and emerging voices, JLRB Press submissions are open only to:
- Women (both transgender and cisgender)
- Men (only transgender)
- All gender-diverse humans (including but not limited to non-binary, agender, bigender, and genderfluid folks)
Why We Set This Boundary
We reserve the right to protect our peace. In part because our prior emphasis on the writings of queer, cisgender men has led to critical imbalances in representation—which we’re actively working to correct—and in part because of persistent patterns of entitled refusal to rework manuscripts substantially, the exploitation of our unpaid labour, and the pervasive harm to our readers that we’ve had to weed out painstakingly, as of August 1, 2025, JLRB Press no longer accepts submissions from cisgender men. If this feels like a radical decision, we invite you to sit with the question why.
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How do you advocate for author equity?
- 🙈 Whenever you submit a manuscript, our Chief Editor anonymizes all submissions for blind review. We never share the details of your submission with anyone outside of our editorial board. To learn how we keep your data safe, see our Privacy Policy.
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📚 To encourage emerging voices, we accept submissions from:
- Authors with at least one published feature poetry collection: Only anthology submissions
- Authors with individual poems published only in periodicals and anthologies: Both anthology submissions and feature poetry collection manuscripts
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⏰ In service of fairness to all submitters, we invite those who have already sent in their poems to wait to resubmit their revised work as follows:
- Anthology submissions: Two weeks (if time remains before the end of the submission period), or during the next submission period
- Feature collection manuscripts: During the next submission period
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Do you have any criteria specific to feature collection manuscripts?
- 📑 We accept collections of individual poems, long-form poems, or a combination of the two.
- 📏 We define a poetry chapbook as a manuscript approximately 3,000–6,000 words long and a poetry book as a manuscript approximately 6,000–10,000 words long.
- 📕 All our initial agreements are for the publication of a softcover (6″ × 9″ paperback) book. We publish certain books in hardcover or in e-book formats at our own discretion. We don’t publish audiobooks.
Our Submission Guidelines
We put together the following submission guidelines to help authors make the most of our open submission periods.
✅ You must submit:
- Works that are your own, original compositions
- Works to which you own the copyright
- Works primarily in English
- Works that prioritize poetic and stylistic elements (such as rhythm, sound, and figurative language) over narration
- Works that are ready for editorial critique and revision
- Works that are sensitive to the diversity and inclusivity of all readers
⚠️ You may submit:
- Works submitted simultaneously to other publishers—if you contact us as soon as your work gets accepted somewhere else
- Individual works (for example, individual poems) previously published in a periodical or an anthology, if the copyright for the works (or their parts) belongs to you (or, if you have assigned any rights, if you have the necessary permissions to republish the works)
- Entire works (for example, a collection of poems) previously published through a traditional publisher or a print-on-demand service, such as Kindle Direct Publishing (KDP), Barnes and Noble Press, IngramSpark, or Lulu, in any format, only if the works are no longer available for sale
- Works co-created with another author
- Works that include fictionalized, autobiographic poetic accounts that bear no identifiable similarities to real people or events
❌️ You must not submit:
- Unsolicited manuscripts outside of our open submission periods
- Book-length works more than 20% of whose poems currently appear online in any format (including but not limited to websites, blogs, newsletters, or social networks)
- Visual works, such as artworks, graphic novels, or visual poems
- Transcriptions of spoken-word performances or collections of song lyrics meant for instrumental accompaniment
- Works for which you already have a signed, active publishing agreement with another publisher or print-on-demand service
- Works previously published in any manner or format that are currently available for sale
- Works created or edited with help from any writing-for-hire service or from AI-based automated writing tools (including but not limited to ChatGPT, Copilot, or Gemini)
- Works that comprise more than 20% prose or prose-poetry or make use of poetic and stylistic elements only tangentially
- Works that include directly, or comprise mostly, autobiographic or memoiristic accounts that bear identifiable similarities to real people or events
- Works that impose specific political or ideological views designed to exclude, alienate, or offend specific groups of people
- Works that present technical or sensitive subjects (such as reproduction, sexual orientation, or gender identity) without appropriate context, respect for the subject matter, or care for accessibility for the intended readers
- Works that promote harmful stereotypes or infringe upon the rights or dignity of persons who belong to one or more disadvantaged groups or protected communities (including but not limited to people who identify as First Nations, women, 2SLGBTQIA+, neurodivergent, or disabled)