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Extracts from a masterclass... with Ewelina Rosińska
For this week's Bench Selects, we wanted to share with you an extract from our editing masterclass with film artist Ewelina Rosińska.
Mar 7
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Titicut Follies (1967) by Frederick Wiseman
The First Film of a Prolific Career
Feb 21
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Dimensions of Dialogue (1983) by Jan Švankmajer
Ceaseless Motivation for Making Art
Feb 14
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200 (1975) by Vince Collins
Symbols of Freedom and Their Fast Approaching Obsolescence
Jan 10
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4
1
Maxwell's Demon (1968) by Hollis Frampton
Intellectualism in the Abstract
Dec 20, 2025
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Saute Ma Ville (1968) by Chantal Akerman
The conundrum of first films
Dec 13, 2025
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PIECE MANDALA/END WAR (1966) by Paul Sharits
Film As A Meditative Device
Dec 6, 2025
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Poemfield no. 5 (1968) by Stan VanDerBeek
Artist's role in technological advancement
Nov 29, 2025
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1
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Werner Herzog Eats His Shoe (1980) by Les Blank
Plea for Adequate Images
Nov 22, 2025
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4
2
Begone Dull Care (1949) by Norman McLaren and Evelyn Lambart
Mastery and Fun
Nov 14, 2025
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Hour Glass (1971) by Haile Gerima
The Importance of Imperfection
Nov 7, 2025
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Face Like A Frog (1987) by Sally Cruikshank
The importance of free approach to medium
Oct 31, 2025
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