#TTRPG #FreeRPGDay – Machinations of the Space Princess Quickstart!

Welcome Spacefreaks!

We’re relaunching our successful Machinations of the Space Princess old-school swords-and-scifi game, and you’re invited!

For the time being this is FREE and includes a psychedelic and surreal space adventure of time-loops and cosmic pizza, as well as quickstart rules so you can try out the game for yourself, as well as pregenerated characters in case you want to start some trouble right away!

This is also the start of our forthcoming Machinations-Media project, which will present a monthly ‘zine supporting the worlds of Machinations of the Space Princess over the course of a year. More details on that are forthcoming soon!

Lastly, this is our first full attempt at finding ethical ways to use AI, strong human oversight that aims to use AI to assist the disabled and neurodivergent in completing projects and achieving a little independence, or helping older creators to keep working and earning.

We hope people will support this aim, and the use of AI in this context, helping rather than replacing human beings.

GET IT HERE

#TTRPG – Seth’s Gear & Ammo, Back to School 2025 Released

Another assortment of oddness and oddities, gear, animals and example characters and villains for Shadowdark and similar d20-based games, with particular relevance to The OGGMs Vigilantes for Shadowdark.
Get it HERE.

#TTRPG – RaC & Ruin 2 – House Rules & Goblins

GET IT HERE

R&R is a set of supplementary material and options for ‘Old School’ games, with a bunch of innovations and choices to make it more fun and playable for more modern players. Inspiration is taken from the Rules Cyclopaedia, Old School Essentials and Lamentations of the Flame Princess amongst others as well as from the comic strip Feral & Foe from 2000AD.

In R&R you play monsters, and those monsters are all defined by ‘Race as Class’ or R&R (clever, eh?) In Palladium terms that makes them RCCs, or ‘Racial Character Classes’. I’ve done this precisely because I hate ‘Race as Class’ and I want to challenge myself as a designer to make them more fun. I also hate the de-emphasis on race (more properly species) in modern iterations of RPGs, and so have made this as a kneejerk reaction to killjoys who seem to think a gnome shouldn’t be statistically distinct from an ogre (and by extension, I suppose a mouse shouldn’t have different statistics to a mammoth).

These are the rules options and changes I suggest for playing R&R, along with rules for playing kobolds and some supplementary odds and sods with some updates to the lore.

GET IT HERE

#TTRPG RaC & Ruin – House Rules & Goblins for the OSR RELEASED!

GET IT HERE

R&R is a set of supplementary material and options for ‘Old School’ games, with a bunch of innovations and choices to make it more fun and playable for more modern players. Inspiration is taken from the Rules Cyclopaedia, Old School Essentials and Lamentations of the Flame Princess amongst others as well as from the comic strip Feral & Foe from 2000AD.

In R&R you play monsters, and those monsters are all defined by ‘Race as Class’ or R&R (clever,
eh?) In Palladium terms that makes them RCCs, or ‘Racial Character Classes’. I’ve done this precisely because I hate ‘Race as Class’ and I want to challenge myself as a designer to make
them more fun. I also hate the de-emphasis on race (more properly species) in modern iterations of RPGs, and so have made this as a kneejerk reaction to killjoys who seem to think a gnome shouldn’t be statistically distinct from an ogre (and by extension, I suppose a mouse shouldn’t have different statistics to a mammoth).

This is just the rules options and changes I suggest for playing R&R. The actual racial classes
(other than goblins) I’m going to nickel-and-dime you with, possibly collecting them all into one big tome at the end of the exercise with properly commissioned art.

Right now I have to pay for a bunch of repairs on my house, so you’ll have to forgive me for
cutting corners here and there. A goblin’s got to make a dishonest buck after all.

#TTRPG – Dungeon Crawl Classics conversion book for Wightchester RELEASED!

GET IT HERE

GET WIGHTCHESTER HERE

A conversion book for Wightchester: Prison City of the Damned to allow you to use the NPCs and monsters in your Dungeon Crawl Classics games, along with some new rules and options.

Optional Hit Point changes
Optional Luck changes
Expanded Skill rules
Criminal Occupations
Wightchester Character Class options
Firearms rules
Over 70 pages of (mostly undead) monstrosities

#TTRPG – Sexbots REDUX Released for Machinations of the Space Princess

A revised and expanded edition of the original Sexbots supplement for Machinations of the Space Princess, compatible with most OSR games.

Here you will find rules and options for playing robots (not just sexbots) and their place in the MotSP universe.

Some art was created with AI assistance but always reworked and rejigged by mortal human hands. We’re still navigating this new development, same as everyone else.

HARDCOPY

DIGITAL

#DND – Total Party Kill for OSR and Similar RPGs RELEASED!

PURCHASE IT HERE

Rules for creating properly challenging encounters and things to do in dungeons when you’re dead.

Players are dicks.

You go to all the trouble of crafting a fantastic adventure with deep and meaningful NPCs and memorable encounters, and they head off in the opposite direction with a comedy goblin you made up to populate a coaching inn. The bastards. Sometimes you just want a little payback.

It is often said that the only limit in the world of tabletop RPGs is your imagination. However, we frequently limit those imaginations and find it very hard to stray from the sacred cows of the hobby.

In traditional role-playing games, and increasingly since the shift toward narrative play in the 1990s, the players and Games Master work together to overcome challenges
and tell an engaging story. However, what if you want to switch things up and try a different approach? To do something radically different, even heretical? What if, instead of working together, the players are pitted against a common foe: the Games Master?

This booklet introduces a new style of tabletop RPG gameplay, where the players must navigate a world filled with danger and treachery, where the Games Master is playing
the role of the ultimate adversary and is explicitly out to get them. The stakes are higher than ever, and the players must work together to outsmart and outmanoeuvre the Games Master’s cunning traps and devious plans while he does his best to anticipate and overcome their usual shenanigans. This adversarial gameplay mode offers a fresh and exciting challenge for experienced and novice players alike. It encourages creative problem-solving, strategic thinking, and cooperative play in ways different from traditional RPGs.

By turning the usual mode of collaborative storytelling on its head, this game offers a unique experience that will keep players coming back for more of a challenge and encourage the Games Master to think about encounters and hazards in a new light.

So, are you ready to take on the challenge? Gather your group, choose your characters, and prepare to face the ultimate test of skill, cunning and emotional continence in Total Party Kill.

#TTRPG – Erotech Gazetteer 5 and Another Chunk of Red Room Products at Post-Mort.com

The fifth Erotech Gazetteer, devoted to the adventures of the Tabletopless.org crew in the southern reaches of the world of Kanotag, plus some rules for ‘instant’ NPCs, Dwarves in the world of Erotech and a good few monsters.

GET IT HERE

More The Red Room books have been added to the store.

#TTRPG – The Red Room being added to Post-Mort.com

Given the removal of The Red Room from Drivethru, every little helps, so I am in the process of adding their products to my personal sales site Post-Mort.com

The best place to support them is still to get it from Big Geek Emporium, but whichever way you choose to support them in these difficult times is appreciated.

I helped The Red Room get their start, which I’m proud of. I like helping new people get into publishing and helping them get to market, so given our history this move only makes sense – even though it’s more paperwork for me.

You can find their products HERE

#TTPRG – The Red Room has been censored off DrivethruRPG

My letter of protest…

Dear Sir,

With great distress, I note the removal of The Red Room from your online store (DrivethruRPG). While I certainly acknowledge that there has been a degree of deliberate ‘nipple tweaking’ by The Red Room in their marketing and positioning, this outcome is precisely what I was concerned would happen when you changed your policies regarding controversial content and ‘hostile marketing’.

Put as succinctly as possible. I was concerned that your policy changes would result in the following:

  1. Malicious reporting of products (even by people who had never bought or read the product in question).
  2. The inability of publishers to protest poor decisions or to mobilise their fanbase to counter those decisions.
  3. Increased censorship, whether self-censorship or otherwise.

Every one of those concerns has now been borne out.

We have a product maliciously reported by someone who didn’t even purchase or read it, subject to the censor’s eye – despite adult labelling – resulting in the loss of a publisher from a site that is a near monopoly in the space.

Your policy of taking products down to be cleared impacts release profit, doing damage whether or not a product is deemed ‘safe’ or not. This policy is wide open for malicious and abusive reporting.

Your refusal to allow publishers to protest publicly, or to face their accuser, undermines confidence, increases self-censorship and removes certainty from what is already a very precarious profession. It further exacerbates the malicious reporting issue.

We work in a field that has known the ire of more than one moral panic. We should know better than to indulge the moral entrepreneurs of such hysterias, even if they come from inside the industry.

Your job is that of a middleman, to sell products by publishers to customers. Your job is not that of a censor or moral busybody. Provided that a product is not illegal, I see no reason why you should not sell it. To censor such a product is an abuse of your monopolistic position and, more broadly, a betrayal of the values of the hobby and the arts.

It is especially disappointing following the industry-wide rejection of Wizard’s new OGL and its morality clause, which you are de facto enforcing on everyone’s games unbidden.

For those disturbed by such material (adult material, horror material, or anything else), the best option remains not to buy something if they don’t like it.

It is as though we invited Pat Pulling into the industry to act as a watchdog rather than mocking, deriding and countering her ridiculous claims.

Unfortunately, given your degree of monopolistic power in the industry, my protest is limited to this letter. As a disabled creator with an uncertain income, I am forced to prioritise that income over my principles, at least in this case. Still, as a producer of somewhat ‘edgy’ content, I’d like to know if you’re going to pull the rug out from under my feet on the arbitrary say-so of some crank with more time than sense.

Still, I appeal to you to return to the free expression values we were all assured of when we originally signed up for the sake of art and concerning your powerful position in the hobby.

There is one other matter that needs addressing. Before Miguel and Silvia set up on their own, 

The Red Room was published through me on the site. Given that their earlier work has not been subjected to such a witch hunt, I trust those older projects released via Postmortem Studios will not be affected. Would you regard the future release of (compliant) products by them via me as ‘ban evasion’ or some such?

I will be releasing this letter publicly in support of Miguel and Silvia but unattached to any marketing. My anti-censorship and pro-free expression stance is already a matter of public record since before I even started working in the industry (even for people I violently disagree with), so it cannot realistically be called ‘hostile marketing’.

Sincerely,

James ‘Grim’ Desborough

Postmortem Studios