dina ramadan
writer critic arts writers grant 2023
After the Hour of Liberation film program
After the Hour of Liberation film program
Wafaa Bilal: Indulge Me | The Brooklyn Rail
Wafaa Bilal: Indulge Me | The Brooklyn Rail
Through his interdisciplinary practice, Iraqi artist Wafaa Bilal has been exploring for the past two decades what he refers to as “cultural cannibalism.”
Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now | The Brooklyn Rail
Flight into Egypt: Black Artists and Ancient Egypt, 1876–Now | The Brooklyn Rail
Arab Presences: Modern Art and Decolonisation Paris, 1908-1988
Arab Presences: Modern Art and Decolonisation Paris, 1908-1988
Like many exhibitions of this scale, Arab Presences is simultaneously over and underwhelming. With over two-hundred works by 130 artists, the exhibition is extensive, the artwork accompanied by a range of archival material. However, despite its expansive nature, it fails to present any compelling or innovative proposition regarding this wealth of material.
Suneil Sanzgiri: Here the Earth Grows Gold
Suneil Sanzgiri: Here the Earth Grows Gold
Through sculpture and film, Brooklyn-based artist, researcher, and filmmaker Suneil Sanzgiri’s first solo museum show explores histories of struggle and belonging, of identities formed between continents and unconfined by nation states. The UOVO Prize winner’s exhibition, Here the Earth Grows Gold, is comprised of three new works that posit history as fluid and in a constant state of (re)formation. Poetry emerges as a form of truth or a means of accessing memories that challenges the hegemony of official historical narratives.
Enacting Solidarity, from the West Bank to the American West
Enacting Solidarity, from the West Bank to the American West
BOMB Magazine | Ali Cherri Interviewed
BOMB Magazine | Ali Cherri Interviewed
Film and sculpture that articulate the relationship between life and death.
Dina A. Ramadan - Grantees - Arts Writers Grant
Dina A. Ramadan - Grantees - Arts Writers Grant
BOMB Magazine | Iman Mersal Interviewed
BOMB Magazine | Iman Mersal Interviewed
The writer on her latest book that interrogates the biases of the literary canon and pays homage to Enayat al-Zayyat, who was erased from the archives.
Twenty Years After the Invasion of Iraq: Rijin Sahakian in Conversation with Dina Ramadan
Twenty Years After the Invasion of Iraq: Rijin Sahakian in Conversation with Dina Ramadan
This conversation took place at e-flux Screening Room and is part of VOICES OF IRAQ, and Unpacking the ArteArchive program which was also screened online on ...
Neo Muyanga: A Mass of Cyborgs - Art Papers
Neo Muyanga: A Mass of Cyborgs - Art Papers
Dina Ramadan reviews A Mass of Cyborgs originally published from the ART PAPERS Spring 2023 issue on Artificial Intelligence.
The Individual After the Collective: Making Use of History - Events - e-flux
The Individual After the Collective: Making Use of History - Events - e-flux
Organized on the occasion of the publication of Yasmin El-Rifae's Radius (Verso, 2022).
BOMB Magazine | Marwa Arsanios Interviewed
BOMB Magazine | Marwa Arsanios Interviewed
Anatomies of Languages Lost and Found: Conversation with Mirene Arsanios
Anatomies of Languages Lost and Found: Conversation with Mirene Arsanios
In her collection of essays and stories, The Autobiography of a Language (2022), Mirene Arsanios both yearns for the comfort
Ali Eyal, In the Head’s Sunrise
Ali Eyal, In the Head’s Sunrise
“In the Head’s Sunrise”, a quiet yet compelling exhibition of Ali Eyal’s recent drawings and paintings, captures the intricacy and complexity of th
Jumana Manna, Break, Take, Erase, Tally
Jumana Manna, Break, Take, Erase, Tally
Jumana Manna’s first US museum exhibition traces the violence inflicted through infrastructures designed to control, transform, protect, or even de
Kamrooz Aram Elusive Ornament
Kamrooz Aram Elusive Ornament
Kayfa ta’s Guerrilla Books
Kayfa ta’s Guerrilla Books
Lydia Ourahmane: Tassili
Lydia Ourahmane: Tassili
Much of Lydia Ourahmane’s work has been an exploration of the multiple connotations of barzakh, the barrier or threshold that separates two things that must be kept distinct. In Islamic philosophy, this is the liminal place which the soul inhabits after death, while awaiting the Day of Judgment. For the multi-disciplinary artist based between Algiers and Barcelona, this space of limbo between life and death has generative potential.
A New Kind of Archive: Conversation with Mahmoud Khaled
A New Kind of Archive: Conversation with Mahmoud Khaled
Mahmoud Khaled has in recent years taken the house museum—a space dedicated to the legacy of the person (real or invented) who lived there—as his m
Basel Abbas & Ruanne Abou-Rahme: May amnesia never kiss us on the mouth
Basel Abbas & Ruanne Abou-Rahme: May amnesia never kiss us on the mouth
80th Whitney Biennial: Quiet as It’s Kept
80th Whitney Biennial: Quiet as It’s Kept
Baseera Khan: I Am an Archive
Baseera Khan: I Am an Archive
Sahra Motalebi: This Phenomenal Overlay
Sahra Motalebi: This Phenomenal Overlay
Golnar Adili’s Found in Translation: A Story of Language, Play, and a Personal Archive
Golnar Adili’s Found in Translation: A Story of Language, Play, and a Personal Archive
New Museum Triennial: Soft Water Hard Stone
New Museum Triennial: Soft Water Hard Stone
Etel Adnan: Light’s New Measure
Etel Adnan: Light’s New Measure
Huguette Caland: Tête-à-Tête
Huguette Caland: Tête-à-Tête
Julie Mehretu: Story Maps of No Location
Julie Mehretu: Story Maps of No Location
Lorraine O’Grady’s Visual Literature
Lorraine O’Grady’s Visual Literature
Grief and Grievance: Art and Mourning in America
Grief and Grievance: Art and Mourning in America
Yara El-Sherbini: Forms of Regulation and Control
Yara El-Sherbini: Forms of Regulation and Control
Taking Shape: Abstraction from the Arab World, 1950s–1980s
Taking Shape: Abstraction from the Arab World, 1950s–1980s
Theater of Operations: The Gulf Wars 1991–2011
Theater of Operations: The Gulf Wars 1991–2011
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