AIDAN MONKS

Johnny McKnight and Sally Reid on the Tron panto - The Skinny

La bohème @ Festival Theatre: opera review – The Skinny

The Snow Queen review at Perth Theatre - The Stage

The Voice Behind the Method: Daniel Day-Lewis’ Sonic Transformations - Voquent

Modernist Classic: Scottish Opera's La bohème returns - The Skinny

Balfour Reparations @ Summerhall: Edinburgh Fringe review - The Skinny

Nowhere @ Traverse Theatre: Edinburgh Fringe review - The Skinny

A Shedload of Good: Shedinburgh Returns to the Fringe - The Skinny

Andrew Panton on credit crunch satire Make It Happen – The Skinny

Robbie Robertson’s sounds of America - New Statesman

What is the Barron For? - The Saint

House of Bondage — Counterblast

Gracious Legacies — Hearing Aid

Rosencadia: (Re)Writing a Career - The Saint

EGGERS // BERGMAN — ST.ART MAGAZINE

Capote at 20: Portraits of the Artists - The Saint

Is Gatsby 'Great'? - The Saint

Thinking, Writing and Speaking with James Baldwin — Counterblast

Suitably Numb — Hearing Aid

Bon Iver Comes Home — Hearing Aid

Neo-Kantian Formalism vs Feminist Aesthetic Theory - Femporia

Brooklyn Revisited — Counterblast

Mirage of manhood: myths and misguided beliefs - Exposure

Intersectionality: uniting marginalised communities - Exposure

Grey zone: male attitudes to gender justice - Exposure

Making Waves: Immaculate (2024) - Hearing Aid

Conspiracy theories: how to spot them - Exposure

Making Waves: The Holdovers (2023) - Hearing Aid

Unreal Unearth: A Guided Tour in Hell (and Out) - Hearing Aid

everything is alive and the Future of Shoegaze - Hearing Aid

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