AIDAN MONKS
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Johnny McKnight and Sally Reid on the Tron panto - The Skinny
Johnny McKnight and Sally Reid on the Tron panto - The Skinny
With Gallus in Weegieland, panto veterans Johnny McKnight and Sally Reid reflect on the Tronâs tradition of self-aware pantomime â and the scrappy joy at the heart of it all.
La bohème @ Festival Theatre: opera review â The Skinny
La bohème @ Festival Theatre: opera review â The Skinny
The Snow Queen review at Perth Theatre - The Stage
The Snow Queen review at Perth Theatre - The Stage
The Voice Behind the Method: Daniel Day-Lewisâ Sonic Transformations - Voquent
The Voice Behind the Method: Daniel Day-Lewisâ Sonic Transformations - Voquent
A look into Daniel Day-Lewis' career, analysing his vocal performances throughout his filmography with the upcoming release of Anemone.
Modernist Classic: Scottish Opera's La bohème returns - The Skinny
Modernist Classic: Scottish Opera's La bohème returns - The Skinny
As its Scottish tour continues, we delve into Scottish Opera's revival of Puccini's La bohème by directors and designers Barbe & Doucet.
Balfour Reparations @ Summerhall: Edinburgh Fringe review - The Skinny
Balfour Reparations @ Summerhall: Edinburgh Fringe review - The Skinny
Nowhere @ Traverse Theatre: Edinburgh Fringe review - The Skinny
Nowhere @ Traverse Theatre: Edinburgh Fringe review - The Skinny
Khalid Abdalla brings a production brimming with bite, sensitivity, and radical optimism to the Traverse.
A Shedload of Good: Shedinburgh Returns to the Fringe - The Skinny
A Shedload of Good: Shedinburgh Returns to the Fringe - The Skinny
Andrew Panton on credit crunch satire Make It Happen â The Skinny
Andrew Panton on credit crunch satire Make It Happen â The Skinny
Robbie Robertsonâs sounds of America - New Statesman
Robbie Robertsonâs sounds of America - New Statesman
What is the Barron For? - The Saint
What is the Barron For? - The Saint
Fourth-year undergraduates â and the postgraduate cohort who elected to stay on â ancient and decrepit as myself, may remember the Barron Theatre as something quite different to the 60-seat studio we know it as today.First, it was a student-run theatre located somewhere between the New Picture House and Main Library on North Street: an ugly 20th-century build, sandwiched between the tracery of older architectural practices. By the time I arrived in town, the Barron Theatre was closed. Student pr
House of Bondage â Counterblast
House of Bondage â Counterblast
Gracious Legacies â Hearing Aid
Gracious Legacies â Hearing Aid
Rosencadia: (Re)Writing a Career - The Saint
Rosencadia: (Re)Writing a Career - The Saint
EGGERS // BERGMAN â ST.ART MAGAZINE
EGGERS // BERGMAN â ST.ART MAGAZINE
BY AIDAN MONKS
Capote at 20: Portraits of the Artists - The Saint
Capote at 20: Portraits of the Artists - The Saint
Last year, following the tenth anniversary of his sudden death, Philip Seymour Hoffman was heralded by The Independent as the greatest actor of the 21st century. This is not to say that virtuosic work â three of my personal favourites being Scottie in Boogie Nights (1997), Rusty Zimmerman in Flawless (1998), and Allen in Happiness (1998) â didnât feature amongst his nineties corpus, but that his impact as an artist began to gradually bloom after the turn of the millennium. Hoffman had cemented h
Is Gatsby 'Great'? - The Saint
Is Gatsby 'Great'? - The Saint
âBy midnight the hilarity had increased.â It is relatively easy to dislike a Great American novelâwhether out of disdain for everything remotely popular or American, or for the neurotic fixity with which critics dub a work âgreatâ and latch it with national prescience. Even today, one hundred years after its publication. Of course, the notion of the great national novelâand a notion is all it isâis a uniquely American invention. Whether we take French or Russian literature as examples, when we r
Thinking, Writing and Speaking with James Baldwin â Counterblast
Thinking, Writing and Speaking with James Baldwin â Counterblast
Suitably Numb â Hearing Aid
Suitably Numb â Hearing Aid
Bon Iver Comes Home â Hearing Aid
Bon Iver Comes Home â Hearing Aid
Neo-Kantian Formalism vs Feminist Aesthetic Theory - Femporia
Neo-Kantian Formalism vs Feminist Aesthetic Theory - Femporia
Brooklyn Revisited â Counterblast
Brooklyn Revisited â Counterblast
Mirage of manhood: myths and misguided beliefs - Exposure
Mirage of manhood: myths and misguided beliefs - Exposure
Intersectionality: uniting marginalised communities - Exposure
Intersectionality: uniting marginalised communities - Exposure
Grey zone: male attitudes to gender justice - Exposure
Grey zone: male attitudes to gender justice - Exposure
Making Waves: Immaculate (2024) - Hearing Aid
Making Waves: Immaculate (2024) - Hearing Aid
Conspiracy theories: how to spot them - Exposure
Conspiracy theories: how to spot them - Exposure
Making Waves: The Holdovers (2023) - Hearing Aid
Making Waves: The Holdovers (2023) - Hearing Aid
Unreal Unearth: A Guided Tour in Hell (and Out) - Hearing Aid
Unreal Unearth: A Guided Tour in Hell (and Out) - Hearing Aid
everything is alive and the Future of Shoegaze - Hearing Aid
everything is alive and the Future of Shoegaze - Hearing Aid
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