@adebooms
Learn about my practice through these links to articles, videos, & my website!
Visit my Website
Visit my Website
Online Portfolio
Adebunmi Gbadebo and the Mysteries of Clay | The New Yorker by Doreen St. Félix
Adebunmi Gbadebo and the Mysteries of Clay | The New Yorker by Doreen St. Félix
The aftereffect of a new ceramics show, “Watch Out for the Ghosts,” at the Nicola Vassell Gallery, is of feeling . . . pricked.
Brooklynrail: Letter My Letter to Jack Whitten by Adebunmi Gbadebo
Brooklynrail: Letter My Letter to Jack Whitten by Adebunmi Gbadebo
Great Women Sculptors | Art | Store | Phaidon
Great Women Sculptors | Art | Store | Phaidon
A celebration of more than 300 groundbreaking women sculptors that surveys 500 years of creative ingenuity from around the world
Episode 202 – A Conversation with Adebunmi Gbadebo | Cerebral Women
Episode 202 – A Conversation with Adebunmi Gbadebo | Cerebral Women
Artist Adebunmi Gbadebo on Why She Works With Earth, Hair, and Indigo
Artist Adebunmi Gbadebo on Why She Works With Earth, Hair, and Indigo
Nicola Vassell Gallery is presenting new ceramic and paper works by Gbadebo at the Independent Art Fair in New York this week.
The Metropolitan Museum of ArtLearning from Edgefield
The Metropolitan Museum of ArtLearning from Edgefield
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
Fellow to Fellow: Adebunmi Gbadebo and Odili Donald Odita on Meaning in Materiality | The Pew Center for Arts & Heritage
Fellow to Fellow: Adebunmi Gbadebo and Odili Donald Odita on Meaning in Materiality | The Pew Center for Arts & Heritage
Free to Speak - A Convening on Art, Slavery, and Reconciliation
Free to Speak - A Convening on Art, Slavery, and Reconciliation
Using Hair, Rice, and Indigo, an Artist Reclaims Her Family History
Using Hair, Rice, and Indigo, an Artist Reclaims Her Family History
Adebunmi Gbadebo creates art from organic materials, like soil taken from her enslaved ancestors’ grave sites on the True Blue plantation.
Brooklyn Rail, Art review: Adebunmi Gbadebo: Remains
Brooklyn Rail, Art review: Adebunmi Gbadebo: Remains
Haunting Generational Trauma In “Remains” By Adebunmi Gbadebo At Claire Oliver Gallery In Harlem
Haunting Generational Trauma In “Remains” By Adebunmi Gbadebo At Claire Oliver Gallery In Harlem
Adebunmi Gbadebo is more than a Black artist. She is a historian who infuses the bits and pieces of her ancestry into powerful works that blend past and present.
Learning from Edgefield | The Metropolitan Museum of Art
Learning from Edgefield | The Metropolitan Museum of Art
New York Times: The Magnificent Poem Jars of David Drake, Center Stage at the Met
New York Times: The Magnificent Poem Jars of David Drake, Center Stage at the Met
Before the Civil War, an enslaved artisan from South Carolina created storage vessels that transcend ceramic traditions.
The MET, Hear Me Now: The Black Potters of Edgefield, SC
The MET, Hear Me Now: The Black Potters of Edgefield, SC
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
The Pew Center for Arts & Culture 2022 press release and list of fellows
The Pew Center for Arts & Culture 2022 press release and list of fellows
The Pew Center for Arts & Heritage (the Center) announced its 2022 grants and fellowships today in support of cultural events and artistic work that will enliven and enrich the Philadelphia region and represent diverse identities, personal experiences, and historical narratives.
New York Times by Roberta Smith. New Shows that Widen the Beaten Path
New York Times by Roberta Smith. New Shows that Widen the Beaten Path
Roberta Smith, co-chief art critic, on fall exhibitions that capture a period during which art and art history have been in flux, including the New Museum’s survey of the polymathic Theaster Gates.
Antiques and the Arts: Hear Me Now
Antiques and the Arts: Hear Me Now
The scene on this watercooler, a couple in fancy dress with a hog below, is often interpreted as a slave wedding, and is a rare figural depiction of Black life and regional traditions in Edgefield stoneware, write Spinozzi and Hughes. Detail, watercooler by an unrecorded potter, probably Thomas M. Chandler Jr (1810-1854), Phoenix Stone Ware
Post and Courier: Dave the Potter receiving National Recognition with New MET exhibit
Post and Courier: Dave the Potter receiving National Recognition with New MET exhibit
From Edgefield County to Fifth Avenue, David Drake’s pottery is bringing the antebellum South to modern day New York City.
Spotify: Black is…. playlist (songs, poems, and speeches that express the Black experience)
Spotify: Black is…. playlist (songs, poems, and speeches that express the Black experience)
Playlist · Adebunmi Gbadebo · 215 items · 15 saves
Spotify: The Blues playlist (Black music the references the color Blue)
Spotify: The Blues playlist (Black music the references the color Blue)
Hyperallergic review Black artists claim Their Birthright to Abstraction
Hyperallergic review Black artists claim Their Birthright to Abstraction
Cultbytes Article
Cultbytes Article
Hyperallergic Article
Hyperallergic Article
BBC NEWSDAY Interview
BBC NEWSDAY Interview
HYPEBEAST Article
HYPEBEAST Article
Museum of the African Diaspora Artists Talk
Museum of the African Diaspora Artists Talk
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