ELMÆ
declaring a non-place as someplace.
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Instagram
SoundCloud
SoundCloud
ELMÆ | Refuge Worldwide
ELMÆ | Refuge Worldwide
e-motional [revised]
e-motional [revised]
e-motional [revised] fragment does not rely on conventional points of stability; it keeps unsettling itself, and so do I. This fragment is beautifully gentle, slowly filling with multi-coloured ambi
Radićeva 1 014 w/ elmæ
Radićeva 1 014 w/ elmæ
Radićeva 1 001 w/ Sestre
Radićeva 1 001 w/ Sestre
Your Periphery Is My Center- Bosnia and Herzegovina - Oramics & ELMÆ - 21 Oct 2024
Your Periphery Is My Center- Bosnia and Herzegovina - Oramics & ELMÆ - 21 Oct 2024
🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln. ➡️ More info, more music: www.refugeworldwide.com Support us by becoming a member on Patreon for just 3€ a month:
I only feel safe in a club
I only feel safe in a club
Noční kluby jsou pro mnoho lidí z celého světa jediným místem, kde můžou být sami sebou, a cítit se přitom v bezpečí
[re.02] E-motional Landscapes episode 01 by ELMÆ
[re.02] E-motional Landscapes episode 01 by ELMÆ
poziv na sud II [Y10]
poziv na sud II [Y10]
Radioslavija #5 w/ Elmæ
Radioslavija #5 w/ Elmæ
Pour sa deuxième saison sur les ondes, Radioslavija à l'honneur de reçevoir le prolifique Elmæ (@fragilnae) : artiste, DJ et activiste phare de la scène bosnienne. 1h de breaks, rythmes synthétiques e
Radićeva 1 006 w/ ELMÆ
Radićeva 1 006 w/ ELMÆ
soundcloud.com/elmaemuslija instagram.com/fragilnae instagram.com/radiceva1 Elmæ is a mutidisciplinary artist, a DJ, + the CEO of Radićeva 1. after a decade of being behind his audio-visual project S
e-motional landscapes #3
e-motional landscapes #3
e-motional landscapes #2
e-motional landscapes #2
e-motional landscapes fragment #2 artowrk: A small creature with a tiny brain that opens the door (Alphabet), 2016 https://adrianaramic.com/a-worm-computer-better-at-recognizing-sketches-than-a-huma
e-motional landscapes #1
e-motional landscapes #1
How does it feel to want? Don't scan QR codes, swallow them. RIP Lebbeus Woods, he would've loved the idea of vitrification in cryopreservation if an embryo was a cell of a sound infused with rage
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