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Mike Adams creates illustrations and paintings from his studio in the United Kingdom, working across traditional media, digital tools, and Risograph printing processes. His commercial illustration portfolio includes projects for The New York Times, Apple, and Penguin Random House publications. His sketchbook practice informs both commissioned works and self-directed art pieces, developing recurring motifs and narratives that appear throughout his output. The artist's limited edition prints are produced and distributed through his independent Big Cartel storefront, with a focus on Risograph techniques utilizing fluorescent inks. His "FEB-APR" series demonstrates his technical command of the Risograph medium through precise color separations and layering methods. Each print in these collections comes hand-signed and numbered, documenting its place in the limited run. Adams maintains parallel practices in editorial illustration, corporate commissions, and fine art print production. His work appears in both commercial contexts and gallery exhibitions, establishing his position in contemporary visual art. His production methods span digital illustration tools, traditional painting materials, and specialized print processes.