Musical Hacks

1485 Articles

39C3: Recreating Sandstorm

December 29, 2025 by 8 Comments

Some synthesizer sounds are just catchy, but some of them are genre-defining. We think you could make that case for the Roland JP-8000 patch “Sandstorm”, which you’ve heard if you listened to any trance from the 90’s, but especially the song that was named after it.

“Sandstorm” is powered by the Roland Supersaw, and synth nerds have argued for a decade about how it’s made. The JP-8000 is a digital synthesizer, though, so it’s just code, run through custom DSP chips. If you could reverse engineer these chips, make a virtual machine, and send them the right program, you could get the sound 100% right. Think MAME but for synthesizers.

That brings us to [giulioz]’s talk at the 39th Chaos Communication Congress, where he dives deep into the custom DSP chip at the heart of the JP-8000. He and his crew had approached older digital synths by decapping and mapping out the logic, as you often do in video game emulation. Here, getting the connections right turned out to be simply too daunting, so he found a simpler device that had a test mode that, combined with knowledge of the chip architecture, helped him to figure out the undocumented DSP chip’s instruction set.

After essentially recreating the datasheet from first principles for a custom chip, [guiloz] and team could finally answer the burning question: “how does the Supersaw work”?  The horrifying answer, after all this effort, is that it’s exactly what you’d expect — seven sawtooth waves, slightly detuned, and layered over each other. Just what it sounds like.

The real end result is an emulation that’s every bit (tee-hee!) as good as the original, because it’s been checked out on a logic analyzer. But the real fun is the voyage. Go give the talk a watch.

Streaming Music To Cassette

December 28, 2025 by 13 Comments

In almost every measurable way, a lossless digital audio file is superior to any analog media. This doesn’t mean that analog audio isn’t valuable though; plenty of people appreciate the compression, ambiance, and other side-effects of listening to a vinyl record or a cassette tape despite the technical limitations. To combine the audio technology of the modern world with these pleasant effects of old analog media, [Julius] built a cassette-based media streamer.

The music playback device takes input from a Bluetooth stream of some sort, converts the digital stream to analog, combines the stereo signal into a mono signal, and then records it to a cassette tape. The tape is then looped through to a playback device which outputs the sound to a single speaker. This has the effect of functioning as a tape delay device, and [Julius] did add input and output jacks to use it as such, but in its default state it has the effect of taking modern streaming through a real analog device and adding the compression and saturation that cassette tapes are known for.

The design of the device is impressive as well, showing off the tape loop and cassette front-and-center with a fluorescent vu meter on the side and a metal case. Getting all of this to work well together wasn’t entirely smooth, either, as [Julius] had to sort out a number of issues with the electronics to keep various electric noises out of the audio signal. Retro analog music players are having a bit of a resurgence right now, whether that’s as a revolt against licensed streaming services or as a way to experience music in unique ways, and our own [Kristina Panos] recently went down an interesting rabbit hole with one specific type of retro audio player.

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Building A Wall-Mounted Sound Visualizer

December 27, 2025 by 7 Comments

Visualizers used to be very much in vogue, something you’d gasp in at amazement when you’d fire up Winamp or Windows Media Player. They’re largely absent from our modern lives, but [Arnov Sharma] is bringing them back. After all, who doesn’t want a cool visualizer hanging on the wall in their living room?

The build is based around the Raspberry Pi Pico 2. It’s paired with a small microphone hooked up to a MAX9814 chip, which amplifies the signal and offers automatic gain control to boot. This is a particularly useful feature, which allows the microphone to pick up very soft and very loud sounds without the output clipping. The Pi Pico 2 picks up the signals from the mic, and then displays the waveforms on a 64 x 32 HUB75 RGB matrix. It’s a typical scope-type display, which allows one to visualize the sound waves quite easily. [Arnov] demonstrates this by playing tones on a guitar, and it’s easy to see the corresponding waveforms playing out on the LED screen.

It’s a fun project, and it’s wrapped up in a slick 3D printed housing. This turns the visualizer into a nice responsive piece of wall art that would suit any hacker’s decor. We’ve featured some other great visualizers before, too. Continue reading “Building A Wall-Mounted Sound Visualizer” →

Twelve Days Of Christmas As Performed By 1980s Speech Chip

December 25, 2025 by 5 Comments

In a curious historical twist, the “Twelve days of Christmas” are actually the days of revelry that followed the 25th. The preceding period, Advent, was traditionally a fast, not unlike Lent. When and why a fast became an excuse for chocolate calendars we cannot say, but this historical information is presented to explain that this great hack by [Kevin], making a vintage speech synthesizer chip sing the classic carol will remain relevant at least until January 5th — or perhaps even the 19th, for the Orthodox amongst us.

The chip in question is an SP0256A-AL2, which you may remember from various speech projects for 8-bit computers back in the day. It can talk, after a fashion, by reproducing 56 “allophones” — the sounds that make up English speech — from ROM. Singing, though? We cannot recall much of that back in the day, but then, a talking computer was impressive enough.

As it turns out this is building on an earlier hack [Kevin] did in which he used an Arduino to make the venerable speech chip MIDI controllable. In that project’s write-up it is revealed that a Si5351 programmable clock module is used to give a variable pitch signal to the speech synthesizer. In this way he’s able to get about an octave an a half, which is good enough when the carol in question only spans one octave.

Of course the pitch signal needs to be varied by something and for that the venerable Arduino once again takes the place of an 8-bit computer. In this case it’s pre-programmed, but can also be set up for MIDI control.Of course nothing says you can’t use true retro hardware or a more-capable RP2040 instead of the Amtel chip.

It’s sad to think how much compute power has been wasted this year on AI-generated novelty carols when a little bit of 1980s silicon and some ingenuity can do nearly as good — or better, depending on your tastes. Continue reading “Twelve Days Of Christmas As Performed By 1980s Speech Chip” →

Building A Granular Sampler Synth

December 16, 2025 by 8 Comments

Synthesizing sounds from scratch is all well and good, you just use a bit of maths. However, the latest build from [Daisy] eschews such boring concepts as additive or subtractive synthesis, instead going for a sample-based approach.

This build is based around the Daisy Seed microcontroller platform. It was actually inspired by an earlier project to create a ribbon synth, which we covered previously. In this case, the ribbon potentiometer has been repurposed, being used to control the playback position of a lengthy recorded sample. In this build, the Daisy Seed is running its audio playback system at a rate of 48,000 samples per second. It’s capable of storing up to 192,000 samples in memory, so it has a total of 4 seconds of sample storage. The Daisy Seed uses an analog-to-digital input to record two seconds of audio into the sample buffer. It can then be replayed by placing a finger on the ribbon at various points. Playback is via granular synthesis, where small sections of the overall sample buffer are used to synthesize a new tone. The video explains how the granular synthesis algorithm is implemented using the Plugdata framework. Design files are available for those eager to replicate the build.

Once you start tinkering in the world of synthesis, it’s easy to fall down the rabbit hole. Video after the break.

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Finally, A Pipe Slapophone With MIDI

December 14, 2025 by 6 Comments

If you live in a major city, you’ve probably seen a street performer with some variety of slapophone. It’s a simple musical instrument that typically uses different lengths of PVC pipe to act as resonant cavities. When struck with an implement like a flip-flop, they release a dull but pleasant tone. [Ivan Miranda] decided to build such an instrument himself and went even further by giving it MIDI capability. Check it out in the video below.

[Ivan’s] design uses a simple trick to provide a wide range of notes without needing a lot of individual pipes. He built four telescoping pipe assemblies, each of which can change length with the aid of a stepper motor and a toothed belt drive. Lengthening the cavity produces a lower note, while shortening it produces a higher note. The four pipe assemblies are electronically controlled to produce notes sent from a MIDI keyboard, all under the command of an Arduino. The pipes are struck by specially constructed paddles made of yoga mats, again controlled by large stepper motors.

The final result is large, power-hungry, and vaguely playable. It’s a little unconventional, though, because moving the pipes takes time. Thus, keypresses on a MIDI keyboard set the pipes to a given note, but don’t actually play it. The slapping of the pipe is then triggered with a drum pad.

We love weird instruments around these parts.

Continue reading “Finally, A Pipe Slapophone With MIDI” →

DIY Synth Takes Inspiration From Fretted Instruments

December 11, 2025 by 7 Comments

There are a million and one MIDI controllers and synths on the market, but sometimes it’s just more satisfying to make your own. [Turi Scandurra] very much went his own way when he put together his Diapasonix instrument.

Right away, the build is somewhat reminiscent of a stringed instrument, what with its buttons laid out in four “strings” of six “frets” each. Only, they’re not so much buttons, as individual sections of a capacitive touch controller. A Raspberry Pi Pico 2 is responsible for reading the 24 pads, with the aid of two MPR121 capacitive touch ICs.

The Diapasonix can be played as an instrument in its own right, using the AMY synthesis engine. This provides a huge range of patches from the Juno 6 and DX7 synthesizers of old. Onboard effects like delay and reverb can be used to alter the sound. Alternatively, it can be used as a MIDI controller, feeding its data to a PC attached over USB. It can be played in multiple modes, with either direct note triggers or with a “strumming” method instead.

We’ve featured a great many MIDI controllers over the years, from the artistic to the compact. Video after the break. Continue reading “DIY Synth Takes Inspiration From Fretted Instruments” →